Late Summer Fabric Stash Additions

Posted on September 25, 2018 by

At the very end of summer I found myself at the local discount fabric store (not looking for fabric for myself–how often have you heard that?). As often happens when I’m looking for fabric, I found some that just absolutely needed to come home with me.

The top fabric is a lovely woven cotton plaid. It’s quite creamy, as the next photo shows. I’m considering making it into something mid-19th century someday and bought enough yardage to accommodate that idea.

The lower fabric is a cotton print that looks perfect for a Regency dress! I’ve been wanting a yellow on white cotton for at least a year, but hadn’t found just the right one in a price I wanted. The only downsides about this one are that it’s not block printed and that the weight is a quilting cotton rather than a lawn or voile. But I liked the colors, motif, and price enough to buy it. I finished off the bolt on this one! Whew! I’m glad there was enough for my Regency dress idea.

Neither of these ideas has any particular timeline (so don’t expect to see these fabrics again soon), but it was fun to share these with you before stashing them away!

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Posted in 1800s, 1810s, 19th Century | Tagged , , , , , | Leave a comment

Exploring The Crane Estate Gardens

Posted on September 12, 2018 by

I recently shared photos of my 1925 Blue Coral Day Dress and Lace Cloche, both of which I wore to the Crane Estate Gatsby themed lawn party in August. I wanted to share a few more photos from the day that didn’t fit into posts about the construction of the clothes I made for the event. To start, here’s our elegant, shade-proving picnic setup. This lawn party is always hot, so parasols and umbrellas are essential to stay comfortable.

After sitting for awhile we decided to explore the gardens. Every year I’ve been they’ve been a lovely and cool respite during the hot afternoon.

This year we were excited to find that an area that has previously been closed off behind a locked gate was open! (Check out this post to see the closed gate!) There were lovely flowers in this area and fun spots to take photos, too!

I enjoyed looking at the interesting, new sights as well as the columns. It felt like a grand adventure and was easy to imagine we were in the (mostly well-manicured) ruins of some ancient civilization.

Our walk also included a stroll around the main house, where there were antique car rides. We didn’t take a ride, but it was fun to capture one of the cars in our photos.

All in all, I had a nice day and enjoyed adding new memories to those I already have from this event.

Posted in 1920s, 20th Century, Wearing Reproduction Clothing | Tagged , | 2 Comments

1925 Lace Cloche

Posted on September 4, 2018 by

I knew I wanted a cloche to go with my 1925 Blue Coral Dress from early on in the process of making it. It was going to be hot when I wore the dress, so I knew I wanted something that would both look and feel lightweight. Turns out any hat was warmer than a bare head (well, one with hair on it!), but that being said, I think this was on the right track with a lightweight hat.

I considered making the cloche from fabric, but couldn’t decide on a style with seams that I liked. However, as I was browsing my Pinterest board, my eyes kept settling on straw, horsehair, and lace hats. It seemed like that was the way to go.

I didn’t have any particular materials on hand or in mind for that type of hat but I had come across a modern cotton lace cloche on Amazon for $14 that seemed like a good starting point. It’s no longer available, but I’m sure a careful search could find something similar. To the right is what it looked like before I started changing it up.

Generally, modern cloches have such a deep crown that they don’t leave any space for hair arranged on the back of the head. I have long hair, so that just doesn’t work for me. Cloches from the 1920s frequently have a cutout in the back to allow for your neck… or hair! They also have more interesting brims than modern cloches often do. Perfect. That’s what I wanted. An interesting brim and a cutout for my hair.

With my design plan in place, I started disassembling the modern cloche. First, I removed the braided band and flower. Then, I started unwrapping the lace on the brim, taking out the stitching that held one circumference to the next. I stopped at the bottom of the crown. I removed the inner hat band for most of the way around the hat, so I could stitch the new brim shape and the back cutout without stitching through the hat band.

Next, I played with the lace I had unwrapped for the brim to decide on a new shape. Once I made some decisions I had to make a few shorter pieces out of the lace, but most of it I tried to keep intact. In the back, I decided where I wanted my cut out to be… and cut it! Then I bound the edge using the lace and topstitched it down to encase the edges.

It was a bit tricky to find an acceptable shape for the new brim. The first few tries were so similar in shape to the crown of the hat that they hardly showed when I put it on my head. I ended up with a brim that flares out a bit so it stands away from the crown of the hat, especially in the front. I had to be careful to cover the ends of the plastic horsehair braid that backs the cotton lace, as it is very poky when cut. I covered the ends either by turning them under or having the inner hat band cover them.

After sorting out the brim and back cutout it was time to reattach the inner hat band. Then I sewed on my trim. Here’s what the hat looked like on the inside after all that.

I’ve loved Leimomi’s cloche decoration in this post since she posted about it in 2014. Having that in mind, I thought of what bits of trim I already had in my stash and what might work for this hat. I decided on a random yard of navy grosgrain ribbon, which I cut into thirds, pleated, and attached in imitation of this hat.

When I styled my hair, I tried to have hair come down to my jawline more than I usually do. I think cloches look less silly if there is some hair showing around them. My hair didn’t really look like a bob, but at least there was some hair showing in the front. In the back, it was pinned into a low twist-y mass of curls.

The great thing about the materials of this hat is that they are intended to be flexible for packing and traveling. Not only is it easy to store this hat but it’s also easy to remove it at a picnic and leave it on the blanket or put it in a bag without worrying that it will be damaged. It can get crushed and bounce back into shape!

In the end, I continue to think my head looks like an egg when I wear a cloche. I like styles that don’t hug my head better! That’s my own feeling–other people don’t think it’s nearly as egg-like as I do! But as egg-heads go, this was better than some attempts, so I think we’ll call it a success! It certainly looks cute on the fence!

Posted in 1920s, Costume Construction, Hair Styles, Hats, Trimmings, Wearing Reproduction Clothing | Tagged , , , , , , , | 4 Comments

#virtualsewingcircle Upcoming Projects

Posted on August 28, 2018 by

It’s been about two months since I announced a new adventure. Due to that new adventure, I’ve been making great progress on completing garments that often get pushed to the back burner. In fact, I’ve completed all three garments in the queue as well as two extras! Of all of those, the only live stream project that has made it to the blog so far is my 1925 Blue Coral Day Dress, but I’ve been able to wear at least two of the other dresses (one of them being the 1933 McCall’s Archive Pattern dress) and hope to share photos of them on Instagram and the blog in the somewhat near future. The last two of the five dresses await a photo shoot before I’ll be able to share them, though I’ve been wearing my new Henrietta Maria and greatly enjoying it!

Now that the previous round of garments is made, I’m announcing my next round of projects!

I’m starting to turn my sewing attention away from summer and towards fall and winter with a modern autumn plaid dress, a 1930s blouse, and a 1920s coat! Here’s a peak at the fabrics I’ll be using for these projects. Mmm, what a lovely autumnal palette!

I would love to have you join me as I make these garments! Friendly conversation is incredibly welcome! I’ll be live on Wednesdays (and some Fridays) in September from 9pm-10:30pm EST.

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1925 Blue Coral Day Dress (HSM #8)

Posted on August 15, 2018 by

The summer has been very busy and I don’t feel like I’ve completed very many sewing projects for myself. Really the only reason I’ve completed anything is because I’ve been live streaming my sewing, which forces me to make things from the list of the-things-I-want-to-make-that-I-never-make-time-for. Do you have a list like that? Mine is lengthy!

One of the first of these things-I-don’t-usually-make-time-for projects was a dress made out of one of the fabrics I bought earlier this year. I really wanted to have it for events this month as they are generally quite hot and the fabric I found is nice and lightweight while still being opaque. I found this fabric at a local discount store for the awesome price of $2.99/yard and then later saw it at a regular price store for somewhere closer to $10/yard, which really made me feel like I got a deal!

The pattern for this dress is a Quinnpen special (ie. made by me). I took my inspiration directly from this extant dress at All The Pretty Dresses. Due to that, it qualifies for the HSM Challenge #8 Extant Originals (copy an extant historical garment as closely as possible)!

To start, just the facts:

Fabric: 2.5 yards cotton lawn.

Pattern: My own.

Year: 1925.

Notions: Small bits of contrasting fabric for bias binding, thread.

How historically accurate is it?: I’d say this one is about as close as I can get to 100%!

Hours to complete: Approximately 8 hours.

First worn: August 5, 2018.

Total cost: $10.50 (including the fabrics I used for decorative sash options).

For the bodice of this new dress, I started with my 1927 Blush Sparkle dress (that dress started life as a tube before I added a head hole, armholes, and side seams/darts to about the hip level). For the skirt, I made a circular pattern that had the zig zag top edges that are featured in the extant dress. It was a bit of trial and error process to get the zig zags just right, but I made it in the end! You can see the topstitched zig zag detail on the extant inspiration if you look at the pictures carefully.

The zig zag top edge of the skirt is pressed under and topstitched onto the bodice. On both my dress and the extant dress that detail gets lost in the pattern, but it allows the skirt to have a lovely drape and fullness while the top can stay that straight 1920s shape that is so iconic. Here’s a closeup of my topstitching. Not bad on the pattern matching!

I finished my dress armholes and neck hole using bias, as I believe the original did based on looking at the photos. My only changes here were to use a contrasting color so I could actually see where the openings are (before I put on the orange binding the blue on blue pattern just made a big indistinguishable pile!) and to turn the bias binding to the inside of the openings (given that I was using a contrasting color). Aside from that the only other detail I omitted was a center back seam on the bodice since I had enough fabric not to need it when I was cutting out the pieces.

The photo above shows the dress with two different sash options that I made for it: pink and orange. I bought the orange when I bought the blue, but when I got home I thought it might be too bold and decided I might like the pink better. But I really couldn’t decide, so in the end, I made both!

When I wore the dress, I was still undecided… so I took pictures with all three options: no sash, pink sash, and orange sash. See each look below!

The idea behind a sash was this inspiration: Wilton Williams, The Bystander, August 12th 1925, though after wearing it my preference is no sash! I think that the bold, large scale patterns in the fabrics of the inspiration dresses lend themselves better to a sash than this blue dress.  The bonus part of not having a sash is that the dress is easy to wear, there’s no fussing with keeping a sash in place, and the dress really does have a nice 1920s shape to it even though the detail of the zig zag is lost from more than a foot or two away. What do you think? Does one style of sash (or no sash) speak most to you?

It’s fun to have a new dress to wear, discuss, and document! There are more dresses in the live stream queue, so if you want to stay in touch with what I’m making I would love to have you join me for one of my virtual sewing circles. You can join me on Wednesdays and Fridays from 9-10:30pm EST!

Posted in #virtualsewingcircle, 1920s, 20th Century, Costume Construction, Historical Sew Fortnightly, Wearing Reproduction Clothing | Tagged , , , , , , | 4 Comments

Eleanor ‘On The Continent’

Posted on August 1, 2018 by

When I was in Denmark last year, we got some lovely show-off-the-dress shots of Eleanor (my 1862 plaid ballgown) that I haven’t shared yet. This is the gown that I wore to the grand ball at the end of the week. I decided on it because I appreciate its simplicity and understated elegance: the only real decorations, aside from the interest provided by the large scale plaid, are the coordinating brooches on the neckline and belt.

I absolutely love how this gown looks wonderfully historical without being flashy. Don’t get me wrong, I am all for flash in some instances, but for traveling on a plane and being squashed into a suitcase, this seemed like an option that would travel well and still look elegant, especially when paired with my coordinating necklace and earrings.

Before the ball we took a short walking tour during which were able to capture these cooler-toned photos in addition to the warmer first photo (that first one was taken in the ballroom).

Looking at these photos reminds of the trip, which brings smiles. It was fun to attend a ball ‘on the continent!’

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Posted in 1860s, 19th Century, Hoops and Bustles, Victorian Clothing, Wearing Reproduction Clothing | Tagged , , , , , , , , , , | 2 Comments

A New Old(er) Dress

Posted on July 17, 2018 by

Today, I present a new version of an old dress.

(Well, not old in the usual way on this blog, which is a dress that is often 100+ years old. In this case, the ‘old’ dress is about 8 years old. I couldn’t pass up the colors in the flowers, though the cut and fabric was more ‘junior’ than adult woman, especially with the built in underskirt of tulle which I promptly cut out as soon as I reached home. However, worn with a waist length or otherwise cropped cardigan, the original dress saw me through a number of summers.)

And then my shape changed and the the dress became a bit too small and a bit too tight. This is the standard my-clothes-shrunk-in-the-closet problem. Boo! But I still loved the colors, so when I happened to see a similar fabric at the fabric store I snapped it right up with the goal of making a new, older (as in, not ‘junior’ style) version of the original dress, so I could retire the original from my wardrobe and send it on to a new home. (In fact, when Mr. Q saw me working on the new dress he confused it with the old one because the colors are so similar!)

I decided to use New Look #6143 as a starting point for a pattern for the new version of the dress. It’s got a basic bodice that would be good for other things if I liked it made up and a variation on a basic skirt, which never hurts to have either. I believe the only thing I changed from the original pattern design was the neckline in the front. Of course, it took me probably two years to actually get around to finishing the darn thing. I started it, realized it was too big, got frustrated by the amount of alterations needed, and let it languish (for years…).

This year, however, I was determined. Turns out I had just cut a size larger than I needed. (P.S. I hate figuring out commercial pattern sizing. There is so much ease that the size the pattern envelope claims I should be is often too big, as in this case. Do you ever have that struggle? When I took apart my bodice pieces and traced out the lines for a smaller size, the bodice fit perfectly. Nice, but it would have been so much better if it fit perfectly the first time!) I had already pleated the skirt and added side seam pockets when I started the dress years ago-I wasn’t going to change that–so instead I angled the side seams from the pockets up to the waist to take in the excess amount. Not the most perfect solution, but in a full skirt you can’t see the fudge.

I love how tidy the insides of Carolyn’s modern dresses are (like this and this) and I wanted similar tidiness for this dress. The bodice of my dress is fully lined in lightweight cotton and the skirt edges are all overlocked to keep them from fraying.

Oh, and as I mentioned, I added pockets! Most dresses are better with pockets! (I would say all, but some lightweight dresses just pull in awkward ways with things in the pockets, so really, why bother adding them?)

The dress closes in the back with a (pink!) invisible zipper that is carefully sandwiched between the floral exterior and the bodice lining. The pink zipper matches perfectly and amuses me greatly. It’s a fun color!

At the bottom of the bodice lining the seam allowance is turned up and whip stitched to the waistband seam allowance to create a tidy finish. Tidy finishes like this make my heart pitter-patter with glee!

I’m very pleased with the new version of this dress and so pleased that it is off of the UFO pile! My only slight complaint is that I wanted an everyday dress, but the fabric is a little satin-finish-y rather than matte, even though it’s cotton, which takes it more in a ‘dinner’ or ‘event’ direction rather than ‘wear to work’. Oh well! It’s cute, it fits, and the colors are perfectly me.

I’m looking forward to trying this pattern out in other variations! I have plans to make another version of this dress soon–probably during August!

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Posted in Costume Construction, Modern Clothing, Non-Historical Clothing | Tagged , , , , | 8 Comments