Inside The 1813 Red Gown

I’ve been super slow at posting about the inside of my 1813 red gown, but the time has finally come! Here are the insides of the gown, and as usual with me, the inside is meticulously finished.

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Not a single raw edge showing. All of the seams are flat felled. The armhole seam allowance has been turned twice and stitched.
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Armhole closeup. A little blurry, sorry about that!
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Here’s the other side/armhole. You can see the top edge of the gold lace peeking over into the inside of the gown, and all the nicely finished seams.

HSF #5 & MpRSW #1: Blue Under Dress

The HSF #5 Challenge: Peasants and Pioneers. The MpRSW #1 Goal: Under Wear. This recently completed garment fits both!

Now remember, and don’t judge me, that this project is one of those “I just want this to be done quickly and no one will be able to see the details” projects.

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Here it is: an 1812 under dress.

First, the facts:

Fabric: Cotton-poly blend.

Pattern: The exact same as my 1812 white striped gown from last summer, which is adjusted from a gown in Janet Arnold’s Patterns of Fashion 1.

Year: 1812.

Notions: About 2 yds of 1/4″ cotton twill tape.

How historically accurate?: Accurate pattern, almost totally inaccurate fabric (that cotton counts for something, right?), and entirely machine sewn (not a single hand stitch, which for me is a rather unusual accomplishment). I give this one a 60% on historically accuracy. I think the pattern goes a long way towards being a saving grace. Ok, maybe a 65% if I count the cotton…

Hours to complete: Let’s say 16. All that gathering does add some time.

First worn: Not yet, but will be worn in April.

Total cost: Between $9-$12 (I can’t remember exactly how many yards I bought…)

How does this fit the HSF challenge? The simplicity of the fabric and style of the dress and lack of extra trimmings, puts this in the category of basic Regency clothing that could be worn by a pioneer-type. It’s probably still a little fancy for a peasant. It’s hard to make plain and simple clothing!

A few more pictures, then a little more explanation.

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Front.
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Machine stitching showing on the front. I have no problem with interior seams being sewn by machine on some garments, but I do prefer hand finishing on garments that are going to be seen.
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Back. It looks rather medical scrub looking, especially with those white ties… Regency hospital gown?
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Machine sewing galore!
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A closeup of the back.
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Here’s what it looks like on the inside. No raw edges: that makes me happy. There’s a drawstring along the top of the center panel so I can adjust it.
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Looking over at the armsceye.

Explanation time. I actually don’t like this color much on its own. In fact, I think it does absolutely nothing for my complexion. Actually, it just looks bad on me. So why did I pick it, you ask? Well, this is intended to be an under dress, not something I ever plan to wear by itself. I was at the fabric store looking for colors that worked under my 1812 striped square neck gown, and this is the one! The other colors looked too much like skin, or just awful pastel shades of ew. Also, I was probably influenced by this next picture. I couldn’t stop looking at the blues.

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At the Hermitage.

Anyway, given how much I don’t like the color/am amused by the scrub-like quality of it and don’t plan for this to be really seen, I just wanted it to be done, quickly and without fuss. That’s why it’s totally machine sewn. Granted, I did do a nice machine sew job, so I suppose it might one day be worn without the over dress, but I don’t see that as a likely option, at least on my body. Funny contrast is that the white dress is entirely hand sewn, with not a machine stitch to be found.

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Here’s what the blue under dress looks like with the white striped dress over the top. (Oops, the blue hem was too long. Fixed that in a jiffy!)
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The blue fades to a soft grey-ish blue under the white.
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And it helps show off the stripes and the more opaque white areas of the white dress.
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For comparison, here’s what the white dress looks like with the original white under dress underneath.

Voila! One over dress, two different looks! One of the comments awhile ago mentioned the idea of the Regency LWD: Little White Dress. That’s been on my brain while I’ve been making this blue under dress. With different under options this LWD becomes more versatile and can change looks for different events. Nice!

Also, and this is really cool, my blue under dress is incredibly similar to this “slip” at the Met! The cool part is that I came across the slip in January, months after I had made the plan for my under dress. But look at the gathers on the sleeve at the sleeve band and at the crown, and at the shoulder strap construction of the bodice, and at the gathered top and bottom center front panel. It’s kind of uncanny, because this is not the dress that Janet Arnold based her pattern off of. Just goes to show that this construction style was used on more than one dress in the Regency period. Cool!

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Early 19th Century slip at the Met.

As I dressed Squishy I realized that when I go to wear this blue under dress it would probably save me some fussing if I baste the shoulder straps of the two dresses together so the blue doesn’t poke out where I don’t want it it. That’s an easy thing to then take out again later. I’ll have to get on that before April!

Introducing the “Mar-pril Regency Sew Weekly”

JPEG Regency Sew Weekly

What is that, you ask? It’s a group sew along!

Why? Well, you see, in April my friends and I will be participating in a Regency Intensive Dance Weekend hosted by the Commonwealth Vintage Dancers. There will be lots of dance classes in modern clothes, but also balls and day events in Regency clothing! Of course that means new clothes to be sewn during the months of March and April and some of us keep our motivation going better than others. This sew along is intended to encourage and sustain the motivation of all of us (and anyone else who is interested in participating!).

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April 13-14, 2013 in Salem, MA. Hosted by the Commonwealth Vintage Dancers

What do you have to do? Sew! Really, though, that’s it. You can make your goals as small or large as you need to. All you have to do is complete the goals as they come up, and then share your progress. That will keep you accountable, and hopefully encourage you to stay motivated.

Goal #1 (due March 18): Under Wear Ideas to complete this goal: make from scratch, finish, or trim something worn under another garment, a petticoat, underdress, shirt, or waistcoat could fall into that category, or maybe this is a great opportunity to trim a finished garment already in your closet.

Goal #2 (due March 25): Evening Wear Ideas to complete this goal: an all new garment (gown, breeches, waistcoat, or tailcoat, for example), finishing a garment in progress, trimming an already finished garment, sewing something to keep you warm while on your way to an evening event, or maybe completing accessories to wear or take with you to an evening event.

Goal #3 (due April 1): Day Wear Ideas to complete this goal: making, finishing, or trimming a dress, a spencer, a pelisse, a tailcoat, or a waistcoat, or perhaps completing accessories to wear or take with you to a day event.

Goal #4 (due April 8): Accessories Ideas to complete this goal: reticules, chemisettes, parasols, bonnets, gloves, hats, shoes, boots, stockings… this is a soft and easy goal so if you didn’t make one of the first three goals, this gives you a great catch-up opportunity!

Goal #5 (due April 12): Anything Left! You know there are always things you hoped to finish earlier but you’re still trying to finish them up at the last minute? Make this a goal to complete whatever it is you didn’t complete before now. Maybe that’s another accessory, or a hem, or some trim, or maybe it’s just gathering your thoughts and your clothes to pack for the weekend.

How do you participate? Take the MpRSW (Mar-pril Regency Sew Weekly) image at the top of this post and add it to your blog, if you have one. Then, as you complete the goals, post about it on your blog. Don’t forget to leave a comment here with a link back to your blog post!

Do you have to participate in all of the challenges to participate? Nope! Pick and choose as you wish. The overall goal is just to inspire creativity and completion of Regency related sewing projects!

Do you have to be attending the Regency Intensive Dance Weekend to participate? Of course not! Again, the goal is just to inspire creativity and completion of sewing projects!

If you’re also participating in the Historical Sew Fortnightly, as I am, then perhaps there will be times where the two sew-alongs overlap for you. I know that my HSF #6: Stripes (due March 25) item will also fit into a MpRSW goal, since it’s a Regency item. Other upcoming HSF challenges include #7: Accessorize (due April 8), which should be easy to use for overlap, since the MpRSW #4 goal: Accessories, is due the same day, and #8: By The Sea (due April 22).

Finally, let me just say that it would be pretty awesome if you’re out there in the blogging world and want to join in! This sew along is smilingly aimed at all of you who might enjoy a helpful hand of motivation to be fully sewn and fully clothed (ahead of time) for the Regency Intensive Dance Weekend, but I hope that doesn’t discourage you from participating, even if you won’t be at that event. Hopefully some of my sewing motivation will be passed on!

Lovely Clothes, Lovely Ball: Part II (Pride and Prejudice Ball 2013)

Last post, I shared pictures of my new 1813 evening dress and other related pretty clothes. This time we’re on to photos during the ball!

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Dancing a waltz, Regency style.
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I believe this is a gallop.
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A hall full of eager dancers makes for a joyful ball.
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Just coming in from outdoors, it was nice to greet new people and see old friends.
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You chat.
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And then you smile for the camera.
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Part way through the evening the doors were flung open and a table full of yummy refreshments was brought it.
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The members of CVD about to perform a country dance called The Cottage Bonnet.
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Mid-dance, light feet flying!
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And we end.
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After the ball, it’s nice to take a break and rest your weary feet.
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Often, we have more ladies than gentlemen.
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Jazz hands! (This is one of my favorite!)
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Finally, we convinced some more members of CVD to come join us for a bigger group picture.
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Now for the sad end to the evening. As I was walking through a partially open door my dress caught and ripped! It’s on the back in the gathers, but it’s a good 4″ rip. Now I have to fix it before April, when I’ll be wearing this dress again. I’ve got multiple methods in mind, but it’s still not a fun or exciting thing to have to complete. I’d rather be making other new clothes…

Anyway, all things considered it was a lovely evening with lovely people. It was particularly nice to see old friends, but also nice to see usual ball friends. And I thought we all looked pretty smashing, which really does add to the atmosphere. I just wish I hadn’t ripped my dress…

Lovely Clothes, Lovely Ball: Part I (Pride and Prejudice Ball 2013)

Another thing that the Nemo blizzard affected was the Commonwealth Vintage Dancers‘ Pride and Prejudice Ball. Luckily, the ball was able to be rescheduled for this past weekend, which means that I did wind up having an opportunity to wear my new 1813 red gown (my HSF #1 project) after all! And that means pictures! Lots of pictures, in fact. I think I’ll split this into two posts… To start: the clothes!

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New dress!
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These pictures capture the color much better than my original pictures from January.
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Accessories: opera length kid gloves, white stockings and shoes, a gold laurel tiara, earrings to match the trim on my dress, and pearls.
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I wore the petticoat I built to go under my 1812 square neck gown, which is apparently a little longer than this new dress, because the hem of my petticoat was sticking out! Luckily, I had a needle and a friend had white thread, so I quickly basted up the hem of my petticoat so it wouldn’t show.
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Our colors match! So cute!
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The back of the creative Grecian sash wrapping. It was a great way to jazz up a white dress.
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More cuteness in the family.
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Great hair!
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Those face curls are hard to achieve without bangs. These look lovely!
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I tried the face curls, but it looked foolish. In the end I really liked how my hair turned out though! Super regal!
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More lovely face curls.

I thought everyone outdid their Regency selves and looked fantastic! I have to say, though, that not all these pictures are mine. Some are from a friend who caught all sorts of gorgeous moments! Thanks for sharing! More to come soon, with actual dancing and during the ball pictures.

An Excuse For Colored Shoes In The Regency

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Evening Dress. 1812. UK.

Isn’t this a cute fashion plate??? My favorite thing about it is her bright red shoes! My second favorite thing is that her bright red shoes match her red bodice! So cute!

First, this makes me want to wear colored shoes to a Regency ball. Often you see black or white in fashion plates, and our dance troupe tends to wear white to perform and also to balls out of habit, so without even thinking about it I usually pull out the neutral colored shoes… BUT! Extant shoes come in all sorts of colors, although maybe not quite as bright as these red ones. You can see some of them on my pinterest page here: Shoes: 1790-1829.

Second, that red bodice reminds me of this one that Natalie Garbett made for the HSF. Is it possible that this red one, like Natalie’s, is a separate piece from the dress? That would allow for more wardrobe options, certainly. I’m going to go on the assumption that it is, and congratulate this young lady in the fashion plate for being so coordinated and versatile in her wardrobe.

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Separate bodice by Natalie Garbett. Lots of research information about this style on her blog: here.

So… I’ve got a new dress to wear to an upcoming Regency ball that doesn’t really need a separate bodice to jazz it up. Do we think I can wear I can wear fun colored shoes without a separate bodice? I think probably yes, given that there are lots of extant colored shoes and I know of other images that show colored shoes. And now I have an excuse to wear colored shoes with a white dress! Fun! Maybe I need to make a separate bodice, too?

HSF #1: 1813 Evening Gown

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1813 Evening Gown

Historical Sew Fortnightly (HSF) Challenge #1 complete! It was actually completed a few days ago, which I am super pleased about. Even better is that it is for a Regency ball in February, and it is entirely complete a full month ahead of time! All the trim, all the closures, everything! All I have to do on the day of the ball is put it on. Wow! Usually when I wear a new dress to a ball I’m furiously sewing right up until the end and often all the trim doesn’t make it on (that’s what happened with my 1820s green dress back in December, remember?).

The facts:

Fabric: 4 yds red and black shot polyester

Pattern: The bodice front was draped, the back was adapted from my 1812 square neck Ikea gown, and the skirt is the same as the 1812 square neck Ikea gown, with the pattern originally from Janet Arnold’s Patterns of Fashion

Year: 1813

Notions: 3 yds metallic gold bobbin lace, hooks, and little brooch bits

How historically accurate?: The silhouette, cut, and style are accurate, as is the interior finishing (all flat felled and bound edges… it’s quite pretty!). The fabric is obviously not accurate and neither is the lace fiber content, though the style of it is. The closure is accurate. The little brooch bits are accurate in style, though not in materials.

Hours to complete: I’m so bad at estimating this. Let’s say 48 hours.

First worn: Hasn’t been worn yet! Its first wear will be in February 2013.

Total cost: Approximately $26

Now for other details!

Well, first, here’s a closeup of the bodice, so you can actually see the details and the little brooch bits. I’m super pleased with them, because I think they really finish off the bodice and add a little extra touch. I got them from New York and Company, actually. They were part of triple drop earrings, which I took apart. I kept the bottom drop and put them on clip backs (so now I have matching earrings for the dress!) which you can see in the picture below. And the best part is that one of the sections had a missing gem, so the cost of the earrings was refunded by NY&Co and so the total cost of the earrings is $0! Awesome! (It worked out perfectly, because I only used 5 sections of the triple drop earrings, so the damaged one wasn’t a problem.) Of course, the materials used in the earrings are not at all historically accurate, but I’m ok with that, for the cost (yay!) and the fact that they do have the right look.

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Little brooch bits!
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Single drop! Clips! Perfect!

And here’s the back. As you can see, it doesn’t quite fit Squishy in the back, but it shouldn’t have trouble fitting me. I love the drape of the fabric! Now that all the raw edges are enclosed and the polyester can’t fray everywhere, I am totally happy with the fabric choice (bargain!). The photos don’t really do justice to the fabulous gold lace at the hem.

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Aren’t those gathers and folds lovely?!?

The dress is entirely hand finished and mostly hand sewn. Originally, I was going to make it all by machine, but then I had sewing parties and things that required hand sewing, and I just didn’t feel like lugging out the machine, so I wound up hand sewing a lot of it, which was quite satisfying. There’s one side back seam sewn my machine, I think the long skirt seams are sewn by machine (though I can’t remember, because I started this dress back in October or November), and the waistband was sewn by machine. Actually, it was so much easier to keep the width consistent using the machine than when sewing it by hand.

The only other information to share is my inspiration for the dress.

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For her neckline and sleeves: Comtesse de Tournon by Ingres, 1812.
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Another neckline inspiration: L’Art de vivre au temps de Josephine.
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For the overall silhouette and the trim style: 1810.
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One more neckline inspiration and another similar dress built by Natalie Garbett. Here is her post about her 1812 gown with a v neck.

Clearly, I need a Kashmir shawl to complete the ensemble… I have a pashmina that sort of looks the part, so I’ll have to try that out at the ball. Stay tuned for more pictures of this dress in about a month!

Regency Christmas Party At The Commandant’s House

IMG_3974This past weekend, the Commonwealth Vintage Dancers participated in a Regency Christmas party for a public event at the Charlestown Navy Yard. It’s the same venue as the Guerriere Weekend we participated in a few months ago. I wore the same 1812 hand sewn gown I made for that event, which you can read more about in this post. We danced and played games while the public wandered through, watching and taking pictures, and eating the delicious cookies and punch we provided. We love that space, so of course we enjoyed being there again. I took the opportunity of the Christmas party to try out my red clocked stockings from American Duchess... they were perfectly fitting for the Christmas cheer!

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Posing with the lovely tea set that was set out to add ambiance to the scene.
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Playing Blind Man’s Bluff.
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I was having trouble finding a person…
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But I had cute stockings!
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So someone had to be made a sacrifice!
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Yay! I caught someone!
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Another glimpse of my red stockings as I passed off the blind fold.
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After the party we stuck around to get some extra pictures. I had to get a real pose with my stockings!
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Then we staged a few fake scenes to take pictures for possible CVD advertising opportunities.
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It was one of those “look into each other’s eyes” scenes, which I somehow get put in rather often… Anyway, I like this picture because you can see my hair. I took a long time (and a lot of bobby pins) putting it up and really liked the result.
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Then I grouped some of the dancers to get some nice “as though you are dancing” shots. This is how we would begin and end a dance.
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Back to scenes. Aren’t these scenes by the fireplace super cute?
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Last one. Missing Mr. Darcy, perhaps?

As you can see, it was a fun Christmas gathering. We look forward to participating in more events at the Commandant’s House next year!

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Picnic at the Lyman Estate

On the subject of summer picnics… We recently took advantage of a sunny Sunday afternoon to view two of the historic houses in nearby Waltham, Massachusetts: Stonehurst (completed in 1886) and  the Lyman Estate (built in 1793). We ended the afternoon with a relaxing picnic on the lawn of the Lyman Estate. Pictures often say more than words, so without further delay… pictures!

On the walk up the drive to Stonehurst, I passed this street sign, which was just begging to be photographed!
The main stair in the front hall of Stonehurst.
Also in the front hall. Stonehurst has all these cute little nooks and benches. This one was my favorite!
Then on to the Lyman Estate, which has a very different feel. Light, airy, and Grecian… perfect for Regency!
The ballroom of the Lyman Estate house.
A fireplace at the opposite end of the house. Those tiles are really neat.
One of the bedrooms upstairs. This house is often used for weddings, so I think this is often the bride’s dressing room.
A painting of the USS Constitution! Fitting, considering our summer adventures relating to the Constitution. 1805.
Lovely flowers outside the front door.
The greenhouses at the estate are open to the public year round. This was where I visited last year for the Regency Holiday Tea.
Finding an appropriate picnic spot.
Taking a turn about the garden. Isn’t this a super cute picture???

Summer Picnic In The Boston Public Garden

Summer is mostly over, here (although we did just have a nice, warm, sunny day that felt like summer…), but I haven’t finished sharing about summer picnics! To bring a little summer to you, here are a few pictures from a Regency picnic in the Boston Public Garden in August. The Boston Public Garden was established in 1837, so we were a little early, in our Regency dresses.

Laying out the simple fare on our wide expanse of blankets.
Taking a walk around the garden, you run into all sorts of fun picture taking opportunities.
I don’t think I’ve ever been to the garden in August. I have usually been there in May, when all of the flower beds are bursting with tulips. I didn’t realize they change the flower beds to tropical things! I was super surprised!
I think that is George Washington.
Not the usual Boston flora.
Look at the size of those leaves!
And hibiscus!
I feel so tall sometimes…
Squirrel? He was busy scrambling to get food for the winter.
Watching the swan boats pedal by.
It wouldn’t be Boston without the ducks and geese…