I’ve been sewing up a storm this weekend! (And yes, pun intended, since I was stuck inside all weekend because of the blizzard ‘Nemo’… and as a side note, do you think they saw the irony in naming this storm Nemo? All I think of is a cute cartoon fish, which seems at odds with the 2 1/2 feet of snow that is still being cleaned up outside as I create this post.)
Anyway… events were cancelled, including the Regency Ball I created my 1813 dress (HSF #1) for, which is rather sad. Not being able to go anywhere means I’ve had lots of time to work on other things, though. Mostly, I’ve spent the time working on my replacement of the berry ballroom dancing dress. I was hoping to move along on my new 1864 ball gown as well, but that didn’t happen because I was so inspired to keep working on the ballroom dress (and I made lots of progress, so that’s good!). I did take some time out of my furious sewing to finish up my new silk pockets, just in time for the deadline of the Historical Sew Fortnightly’s Challenge #3: Under It All.
Year: The year in Costume Close-Up is 1740-1770, but I think these can be used for years spanning almost the entirety of the 18th century.
Notions: About 2 yds of 1/4″ persimmon colored silk ribbon and about 1 yd of 1/4″ white cotton twill tape for ties.
How historically accurate?: I give them a 95% rating. Accurate fabrics, accurate piecing, accurate pattern, no machine sewing… Thread choice is not accurate, and I’m not convinced that the stitches I used to attach my edging ribbon are accurate either. (And I probably should have tea dyed my waist tie so it wouldn’t be so bright white… but I am the only person who is likely to see it, and frankly, I just wanted to attach it and be done.)
Hours to complete: Entirely hand sewn, so about 13 hours.
First worn: They haven’t been worn yet, and probably won’t be worn for awhile… but at least now they’re done, and ready to go for next time I need them!
Total cost: $7? If I count the cost of all the bits and pieces. Since they use scraps from other projects it’s hard to tell.
For the last month, I have been pondering the idea of making 18th century pockets. It was my idea to wear them to an 18th century ball and use them as a place to store my modern items (cell phone, credit card, cash, car keys, etc.). I was thinking of making simple linen ones, without embroidery, but once I started researching them I realized that I really wanted to go the full distance. In this case, the full distance meant hand sewn silk embroidery… The realization hit me just a few days before the ball that this plan was flawed. There was no way I was going to complete hand embroidered pockets in the time I had left. My choices: to fudge it and be stressed out while trying to complete hand embroidery with cotton thread or to wait, source my products and make a plan, and enjoy my time hand embroidering. What to do? Well, I decided to do the latter and I am glad to say that I am thankful to have used common sense and avoided stress! For now, the plan to make pockets has been added to my list of things to make in my leisure sewing time (when other, more time sensitive projects are lacking… Does that ever happen???). These charming pink, green, and blue ones are my goal.
Early 1700s pockets, linen embroidered with silk, trimmed with silk ribbon and with silk ties (V and A)
Pockets in the 18th century were often made of linen and elaborately embroidered in colorful silk or wool thread, as with the example above and the following examples. Aren’t these yellow trimmed ones adorable? It looks like the pocket slits are smiling!
This next pair of pockets has beautiful (and intense) embroidery.
This next pocket has a lovely embroidered pattern that looks much simpler to replicate than the previous examples. This is my back up plan if the other, more complicated embroidery proves to be too much.
The pockets with unfinished red embroidery are an excellent example of pocket construction. You can see the manner in which the design is marked as well as the embroidery being completed prior to the pocket being cut out and assembled.
There are also some pockets constructed of silk, such as these, below. These pockets were acquired with a quilted silk petticoat and the Victoria and ALbert Museum assumes that they were intended to be worn together. They look puffy and super cute, but because they are assumed to have such a specific purpose I don’t think they are the right idea for me. Also, I wouldn’t get to embroider!
Mid-1700s pockets, silk with silk ribbon (V and A)
Pockets continued to be used in the 19th century, but they were often constructed of cotton rather than linen and were not as elaborately embroidered as in the pervious century. Some 19th century pockets were constructed of cottons with woven patterns, such as stripes or diamonds as well as the occasional pocket of satin weave cotton fabric. In the middle of the century embroidery was again used as decoration, though the motifs were changed from the 18th century. These next few pockets are just a few 19th century ones I like, either because they use interesting fabrics, or because they are smiling at you!
Do you have a favorite pocket amongst these? Does any pair stand out to you?
All of these pockets were recently available at here, at VADS: the online resource for visual arts; however, VADS appears to no longer be operable (perhaps because of recent US government action to curtail internet copyright infringement?). Alternatively, the Victoria and Albert Museum has a pretty good selection of pockets, including some of the ones featured on VADS.