Project Journal: 1815-1820 Regency Ensemble Part IX: Completion of the Re-made Dress! (1812 Ball 2012)

I am so pleased with my re-made 1819 dress. You can get the background here or read the sewing update here! In short, the new style shares only the skirt with its former self. The new ruffles are all hand hemmed and hand sewn on. The dress seams are a mix of machine and hand sewing, depending on if I felt like digging out the sewing machine or not. All of the bodice seams are flat felled by hand. The dress closes in the back with 4 mother of pearl buttons. Oh, and let me not forget that the dress no longer has built in petticoats. Part of the re-make was to create a separate petticoat from one of the two petticoat layers built into the dress. The petticoat ties under the bust and has a single button to close the top of the bust. It is just a sleeveless, simple version of the gown. I’ll have to take pictures sometime so I can share them. But the dress… It fits! It is ruffly! It has so much more style than it did before! Just to compare, the first picture is your first glimpse of its current style, and below that is from before the re-make.

The re-made 1819 dress, with ruffles!
The 1819 dress in its first incarnation.

Isn’t it more stunning than it previously was? I wore it to the Commonwealth Vintage Dancers’ 1812 Ball (ok, so my dress was a little forward thinking… maybe I have a time machine?). I had a lovely time, as expected. I made some new acquaintances and renewed some old ones, I was able to wear my recently purchased kid leather opera-length (which means over the elbow) gloves and a beautiful shawl one of my aunts gave me a few years ago, I got to practice my historic hair styling techniques (more to come on that point soon), and I danced! But let me stop writing, because really this post is about sharing pictures.

The back view of the re-made dress.
Friends: don't we make a lovely group? Ok, wait, but there's a funny face...
How about this one? Same group, but now I'm making the funny face. Rather a severe expression, don't you think?

 I’d just like to insert a comment here: looking again at these pictures, all the ruffles on the bodice of my dress really manage to make me look much more busty than I actually am… Hm… there are a lot of ruffles going on there!

My friend made this beautiful fan to go with her dress! It's hard to see the detail in this picture, but it's absolutely lovely.
Front of her new dress. She also has the super cute tiara, that is much more sparkly in person...
Back of her new dress.

I’ll leave you with this image: a teaser for a soon-to-come post about the creation of this hair style!

Quite picturesque, I think. Thanks for taking the photos, Carly (and Mark)!

Project Journal: 1815-1820 Regency Ensemble: Part VII: Gown Progress

I’ve been stitching away at the re-make of my 1819 Regency gown. The progress:

  • the bodice and skirt ruffles are all being hemmed by hand and there is only one skirt ruffle left to complete
  • the bodice has been put together, with the exception of sleeves and the finishing of the neck edge
  • the seams on the bodice are finished by hand (each seam is flat felled to hide the raw edges on the inside)
Skirt ruffles in progress: I've actually completed more than is pictured
The hem and join of one skirt ruffle
The bodice seams with ruffles inserted
The rolled hem on the bodice ruffles
Center front on the bodice has a double edged ruffle
The flat felled seams on the inside of the bodice
The flat felled seam used on each seam on the bodice and the hand sewn top stitching (which is only along these curved back seams)

Here is a refresher of the bodice inspiration image. My bodice looks like a reasonable interpretation to me. I am quite pleased with the progress and overall look so far. How do you think my interpretation compares?

The inspiration for my bodice

Lastly, here is the image of the sleeve I plan to use. I described the sleeve in my last post, an overview of my planned gown updates. The sleeve is on a page with many other sleeve variations from the 1830s, but I think that it will suit my 1819 Regency (pushing 1820s) dress quite well. I am debating the possibility of outlining the triangular inset with piping. Do you think that would suit the dress and be a faithful representation of the double line delineating the inset in the image? Alternatively, there is a possibility that I might use green piping or ribbon (the same shade of green used  in my 1819 spencer) to delineate that line. But then must I also use the green somewhere else to create visual harmony? Hmm…

From the first few pages of Janet Arnold's early 19th century pattern book